CORPS by Milka Djordjevich, REDCAT, Los Angeles CA, November 2021
Film for exhibition by Rose Nestler and choreography by Tess Dworman, London UK, June 2021
YOU ME ME YOU by Melinda Ring, Chocolate Factory, LIC NY, June 2021
The Civic Social with Mark D. Schmidt and Remi Harris, Corning NY, September 2021
CORPS, a procession, by Milka Djordjevich at New York Live Arts NY, June 2021
“Coverture” by Tess Dworman & Angie Pittman, Roulette NY, January 2021
IN/BETWEEN 2020: TRANSFIGURE co-curated with Yanira Castro & Poppy DeltaDawn, New York Live Arts August-Oct 2, 2020
Sitting on a Man's Head Okwui Okpokwasili/Peter Born Platform at Danspace Project February-March 2020
Haegue Yang: Handles at the Museum of Modern Art October 2019 - April 2020
Yoshiko Chuma/The School of Hard Knocks at the Haco Gallery February 2020
We can call it Mexican Hat for now,CPR Performance Studio Open House, curated by LD November 2019
Wild, Wild Earth Exhibition co-curated with Yanira Castro and Poppy DeltaDawn, New York Live Arts Aug 8-Sep 7,2019
Untitled (Green-Wood) by Kim Brandt, Green-Wood Cemetery, Pioneer Works Graveyard Shift, NY August 10, 2019
MY DIARY: SECRET JOURNEY TO TIPPING UTOPIA // YOSHIKO CHUMA AND THE SCHOOL OF HARD KNOCKS, The Invisible Dog, July 2,10,18, 26 2019
Corners by Kim Brandt at The Shed, New York, June 19, August 2, and 17 2019
Secret Journey: Stop Calling Them Dangerous #2, co-curated with Yoshiko Chuma, May 19-20, 2019
Sunday Service at the Knockdown Center curated by Yanira Castro, NY, May 2019
Play by Mateo Lopez at the Casey Kaplan Gallery, NY, February 2019
See Saw by Simone Forti with Will Rawls and Andros Zins-Browne at the Museum of Modern Art-MoMA, NY, January 2019
Dance Constructions by Simone Forti at the Museum of Modern Art-MoMA, NY, September 2018-February 2019
Zapatografía Staged managed Larissa Velez-Jackson show at Abrons Arts Center, NY December 2018
Open Performance^3, curated for the Fall Festival at Movement Research at Danspace Project, Nov 29, 2018
Living Quipu by Cecilia Vicuña at the Brooklyn Museum, September 2018
Sonic Gates Sound Sculpture Walk, solo performance in Staten Island curated by Volker Goetze on July 14, 2018
Grandma with Cori Olinghouse, River to River Festival, Lower Manhattan Cultural Council, NY June 2018
Grandma with Cori Olinghouse at ODC Theater, SF February 2018
Bladder Inn (and X, Y, Z, W) with Mina Nishimura at Danspace Project, NY February 2018
Grandma (premiere) with Cori Olinghouse at DoublePlus Gibney Dance, curated by Dean Moss, NY December 2017
Shake/Walk Workshop Performed with Kathy Westwater at Brooklyn Studios for Dance, NY December 2017
mayday heyday parfait with "The Commons Choir" at Movement Research Fall Festival: invisible material at Danspace, NY November 2017
Vast Action with Melinda Ring a Workshop Manifestation at Movement Research at the Judson Church, NY November 2017
mayday heyday parfait (premiere)Daria Fain and Robert Kocik "The Commons Choir" BRIC, NY November 2017
Work in Progress with Mina Nishimura at Movement Research at the Judson Church, NY October 2017
Hand Count Beginning Sound (premiere) with Rebecca Davis at The Chocolate Factory, NY October 2017
Work in Progress Cori Olinghouse residency showing at the Park Armory, NY September 2017
Zapatografía Staged managed Larissa Velez-Jackson show at Bushwick Starr, NY August/September 2017
Of Iron and Diamonds v1 Stage managed and assistant to director Catherine Galasso at BAX, NY June 2017
Bifur/cación at Performance Mix Festival 31, University Settlement, NY June 2017
Colored Staged managed Kyle Marshall show at Actors Fund, NY June 2017
Work in Progress Cori Olinghouse residency showing, Lower Manhattan Cultural Council, NY May 2017
BRACKISH Poetry Night with Megan Schubert, NY May 2017
A piece by Sally Silvers at Cathy Weis's series on Broadway, NY April 2017
Court/Garden with Yanira Castro a canory torsi, Chicago Cultural Center March 2017
Mask at Borderless : In Perspective exhibitions in Berlin, Amsterdam, and NYC, a Video in collaboration with musician Volker Goetze, 2016-2017
GET DANCING Stage managed Kat Galasso's show at Danspace, NY December 2016
Brooklyn Rezound with Daria Fain - The Commons Choir, BRIC Arts Center, NY, November 2016
Archaea for the Evergreens with Anne Zuerner at the Evergreens Cemetery, NY, May & June 2016
Brooklyn Rezound with Daria Fain - Commons Choir BKSD, NY, May 2016
Court/Garden with Yanira Castro - a canary torsi, ICA Boston, MA, April 2016
Court/Garden with Yanira Castro - a canary torsi, Redfern, NH, March 2016
A Marvelous Order Opera with choreography by Will Rawls - Williams College, MA, March 2016
Brooklyn Rezound with Daria Fain -The Commons Choir - Movement Research Judson Church, NY, November 2015
Tijuana Night with Lux Boreal Danza - New York Foundation for the Arts, NY, June, 2015
Dis Or Der at the Performance Mix Festival 29, HERE Arts Center, NY June, 2015
Bifur/cación Movement Research at Judson Church, NY, March 2015
Mask at Face to Place New York Foundation for the Arts in collaboration with musician Volker Goetze, February 2015
Bifur/cacion at ALMANAC Harvest, Mascher Co-op Philadelphia, October,2014
Ripping Up the Finish for Jovenes Creadores at Casa de la Cultura, Tijuana, MX, July, 2014
Frames Site-specific for Jovenes Creadores at the Gallery in Avenida Revolucion, Tijuana, MX, July, 2014
Mapping : tijuana at Parque Teniente Guerrero and Calle Revolucion, Tijuana MX, July-Agosto, 2014
Mapping at The Lumen Festival on Staten Island,NY June 28th, 2014
Newest work in progress at the Fresh Tracks showing at the New York Live Arts Friday May 30th, 2014
Bifur / cacion at the Fete de l'Hurricane Festival at Red Bean Studios, curated by Carrie Brown, NY on May 3rd, 2014
Bifur/cación at the New York Foundation of the Arts Gallery Pangea Friday January 17th, 2014
Ghost Lines Production assistant to Cori Olinghouse show at Danspace, December, 2013
Ripping Up the Finish presented at the Movement Research Open Performance for the Fall series, New York, October, 2013
Ripping Up the Finish was selected to audition for the Fresh Track Residency audition at the New York Live Arts Theater, New York, October, 2013
Ripping Up the Finish presented at the Fette Festival by Carrie Brown at the Red Bean Studios, New York, October, 2013
Mapping site specific piece presented at the Indie Ballet Garden Sessions in the Target Community Garden and Garden of Hope, Bed-Stuy, Brooklyn, September, 2013
Mapping site specific piece presented at the Ground Plan Festival at La Plaza Cultural in Manhattan, New York, August, 2013
Mapping site specific piece (with a new addition) presented at the Sunset Park Dance Day, Brooklyn, July, 2013
Mapping site specific piece presented for the Local Produce Festival at the Old Stone House in Brooklyn, New York, June, 2013
Ripping up the Finish presented at the CPR Gallery, pre-performance for the Indie Ballet Collaborative, Brooklyn, New York, June, 2013
Ripping up the Finish presented at the ChoreoLab show for Dance New Amsterdam, New York, May, 2013
Episodios Nocturnos Chapter I (excerpt) presented at the Visa Voices show in New York, part of the international community show of Dance New Amsterdam, March, 2013
Dis or Der presented at the 7th Amalgamate Artist Series in New York, October, 2012
Dis Or Der presented at the 75th Anniversary Festival for the San Diego State University in March, 2012
Dis Or Der presented at the Young Creators show case in Tijuana, México and was mentioned one of the best choreography's presented in the festival June, 2011
Tetra a site specific piece and Dis Or Der presented at the Quadrúpedos con Rostros Humanos show directed by Martita and Matthew Armstrong in Tijuana, México in June and July 2011. Guest Artist somebodiesdancetheater
Air a site specific piece was presented as part of the Sacred Sky Sacred Earth at the Telemagica Festival in Jacumba, California in June, 2011
Dis Or Der was selected to be presented at the Potiker Theater, University of California San Diego at the “New Directions Concert” in May, 2011
Esperanza a site specific piece was presented on the streets of Tijuana, México as part of the festival "Luz Roja" in April, 2011
Dis Or Der presented in Cuerpos Exiliados in March, 2011. Closing dance show from the V Diplomado Lux Boreal, in Rosarito, Tijuana & Ensenada, MX. This choreography was part of her project “Union Artística Sin Fronteras” fellowship from PECDA Dance Young Creators 2010-2011
Ripping Up the Finish was selected to audition for the Fresh Track Residency audition at the New York Live Arts Theater, New York, October, 2013
Ripping Up the Finish presented at the Fette Festival by Carrie Brown at the Red Bean Studios, New York, October, 2013
Mapping site specific piece presented at the Indie Ballet Garden Sessions in the Target Community Garden and Garden of Hope, Bed-Stuy, Brooklyn, September, 2013
Mapping site specific piece presented at the Ground Plan Festival at La Plaza Cultural in Manhattan, New York, August, 2013
Mapping site specific piece (with a new addition) presented at the Sunset Park Dance Day, Brooklyn, July, 2013
Mapping site specific piece presented for the Local Produce Festival at the Old Stone House in Brooklyn, New York, June, 2013
Ripping up the Finish presented at the CPR Gallery, pre-performance for the Indie Ballet Collaborative, Brooklyn, New York, June, 2013
Ripping up the Finish presented at the ChoreoLab show for Dance New Amsterdam, New York, May, 2013
Episodios Nocturnos Chapter I (excerpt) presented at the Visa Voices show in New York, part of the international community show of Dance New Amsterdam, March, 2013
Dis or Der presented at the 7th Amalgamate Artist Series in New York, October, 2012
Dis Or Der presented at the 75th Anniversary Festival for the San Diego State University in March, 2012
Dis Or Der presented at the Young Creators show case in Tijuana, México and was mentioned one of the best choreography's presented in the festival June, 2011
Tetra a site specific piece and Dis Or Der presented at the Quadrúpedos con Rostros Humanos show directed by Martita and Matthew Armstrong in Tijuana, México in June and July 2011. Guest Artist somebodiesdancetheater
Air a site specific piece was presented as part of the Sacred Sky Sacred Earth at the Telemagica Festival in Jacumba, California in June, 2011
Dis Or Der was selected to be presented at the Potiker Theater, University of California San Diego at the “New Directions Concert” in May, 2011
Esperanza a site specific piece was presented on the streets of Tijuana, México as part of the festival "Luz Roja" in April, 2011
Dis Or Der presented in Cuerpos Exiliados in March, 2011. Closing dance show from the V Diplomado Lux Boreal, in Rosarito, Tijuana & Ensenada, MX. This choreography was part of her project “Union Artística Sin Fronteras” fellowship from PECDA Dance Young Creators 2010-2011
Artificium Nocturnus, was presented in Tijuana, MX in November, 2010. Binational Dance Concert presented at the Cultural Institute of Baja California. Directed and choreographed by Martha Abril. The show was made possible with the support of the fellowship from PECDA Young Creators 2010-2011
Red Clock, “II Choreography Contest” at the La Alborada Centro Cultural Tijuana December, 2009. It's a Dance Festival that happens in Tijuana, México were her choreography RedClock was selected.
Nocturnal Episodes Chapter I, Emerge Dance Festival, San Diego California in October, 2009.
Original choreography selected in this showcase of emerging artists.
Nocturnal Episodes, The Art of Time Travel Dance Show, San Diego California in May, 2009. Upon completion of her fine arts degree in Contemporary Dance, her final project was a full length (30 minute) concert consisting of entirely original choreography. .
Red Clock, “II Choreography Contest” at the La Alborada Centro Cultural Tijuana December, 2009. It's a Dance Festival that happens in Tijuana, México were her choreography RedClock was selected.
Nocturnal Episodes Chapter I, Emerge Dance Festival, San Diego California in October, 2009.
Original choreography selected in this showcase of emerging artists.
Nocturnal Episodes, The Art of Time Travel Dance Show, San Diego California in May, 2009. Upon completion of her fine arts degree in Contemporary Dance, her final project was a full length (30 minute) concert consisting of entirely original choreography. .
